Written by Brian
Augustyn, art by Mike Mignola & P. Craig Russel, colors by David Hornung,
with letters from John Workman
This was the first,
unofficial, Elseworlds tale from DC Comics back in 1989, and it is great.
As with the vast
majority of DC’s Elseworlds tales, Batman is the character of note in this
comic. Set 100 years in the past—1889,
at the time of its publication—this comic posits the narrative conceit of what
might happen in a Victorian-era Gotham City if Jack the Ripper were to come to
these shores and continue his killing ways here in America. Combine this with the emergence of Batman as
a dark force of the night, and you have a cross-pollinated story ripe for the
telling.
Brian Augustyn,
known mainly as an editor for DC, does a fine job with the story. It may be obvious to many, early in the
story, who the actual Ripper is, but that does not take away from the finely
structured tale he crafted. All the
pieces fit, and fit well, with characters we know, such as Bruce Wayne and
James Gordon, acting in a familiar manner, even in this different milieu. And the confluence of Batman’s appearance
with the horrors perpetrated by the Ripper, in the dark, works nicely and makes
sense. The end comes as a bit of an
anticlimax—the Ripper revealed by Batman, he confesses everything to Gordon,
apparently so scared and scarred by this Batman
that he must confess it all—but that’s a minor quibble.
If the story is
good, though, the real stars of the book are the artists. Sure, everyone remembers that Mike Mignola
drew this, but many may have forgotten the inks were by P. Craig Russell (who
also worked with Mignola on one of my favorite DC mini-series of the eighties,
the Phantom Stranger). Mignola’s
distinct linework evokes the Victorian time period beautifully, while Russell’s
delicate inks add yet another layer to these images. Gotham City feels cluttered, dirty, a
claustrophobic urban setting that will only grow larger and more congested over
the next century. And the costume design
for Batman is iconic and appropriate to the time period. This really is a beautiful comic wherein
style matches setting and theme masterfully.
Check it out!
chris
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