#9: I Kill Giants
Storytellers: Joe Kelly & J. M. Ken Niimura
Publisher: Image
Year Of Publication: 2009
Page Count (can be approximate or in # of issues format): 184 pages
Storytellers: Joe Kelly & J. M. Ken Niimura
Publisher: Image
Year Of Publication: 2009
Page Count (can be approximate or in # of issues format): 184 pages
WHAT I LEARNED ABOUT WRITING / STORYTELLING:
When writing a
strong emotional reaction from a character, it is far more affecting if you
have set up a baseline previously to gauge this crescendo against. For example, within the first half of I
Kill Giants, we see the main character, Barbara bullied or reprimanded a
few times. In each instance, her
reaction is to make a sarcastic remark and accept the consequences
otherwise. But, when the bully of the
school crosses the line (grabbing at a purse Barbara always has with her, which
has been shown to be special to her previously), Barbara loses it and reacts
physically, laying a beating on the bully.
This was an incredibly affecting scene for me, made possible by the fact
that he rreaction had been so different previously. It was really well done and something to keep
in mind when working on big emotional moments in my own writing.
WHAT I LEARNED ABOUT ART / STORYTELLING:
Speed lines can
be a very effective tool when handled well.
I’m not a big manga reader but I have read all of Lone Wolf & Cub
as well as Akira and Fist of the North Star, so I am familiar
with manga and its tropes, and, for me, speed lines have rarely worked in these
books. I can’t say exactly why that is
the case (I’m thinking they may have been overused, but I’d have to go back and
look to see if that is the case). But in
I Kill Giants, Niimura – who worked in a manga style – utilizes speed
lines sparingly to great effect.
RECOMMENDATION: A+
NOTES / REVIEW / SYNOPSIS
No comments:
Post a Comment